‘November Girl’ 1967 was the final title in the figure book trilogy from 60’s. Creatively and technically it’s an evolution from the preceding title ‘Cowboy Kate’. The book is a meditation on loss and grief and remains in many ways ahead of its time while also being an icon of 60’s photography.
The print is a rare vintage silver gelatin printed by Sam. Print Dimension: 34.2cm x 33.5cm (13.4” 13.1”) Frame Dimension: 67.5cm x 67.2cm (26.5” x 26.4”). Fully certified by the estate. The entire silver gelatin archive is characterised by rarity. Sam never made big print runs he essentially printed to produce book macquettes (four copies for each of the four 60’s book titles and then moved on to the next project. The photo print market was at a nascent stage back in the sixties.
The frame is solid ash with 8-ply cotton rag, museum grade board for the passepartout. It is glazed with UV resistant acrylic.
‘November Girl’ 1967 was the final title in the figure book trilogy from 60’s. Creatively and technically it’s an evolution from the preceding title ‘Cowboy Kate’. The book is a meditation on loss and grief and remains in many ways ahead of its time while also being an icon of 60’s photography.
The print is a rare vintage silver gelatin printed by Sam. Print Dimension: 34.2cm x 33.5cm (13.4” 13.1”) Frame Dimension: 67.5cm x 67.2cm (26.5” x 26.4”). Fully certified by the estate. The entire silver gelatin archive is characterised by rarity. Sam never made big print runs he essentially printed to produce book macquettes (four copies for each of the four 60’s book titles and then moved on to the next project. The photo print market was at a nascent stage back in the sixties.
The frame is solid ash with 8-ply cotton rag, museum grade board for the passepartout. It is glazed with UV resistant acrylic.
