One of those images which is clearly identifiable - within the span of Sam’s career - as a product of the 70’s. The bold compositions from the 60’s pushed further with newer wide angle lenses and content which borrowed heavily from the visual freedom of contemporary American illustration to pursh the boundaries of both his commercial and personal photography.
“Sam Haskins is one of the most influential photographers in the fashion world,
his books are found on the shelves of most of the photographers I work with.”
Ivan Shaw of Condé Nast
Print Specs: This is a large and tall narrow print; 20.07” x 13.81” (51.00cm x 35.10cm). It’s a 70’s vintage silver gelatin c1971.
Condition: The print is in excellent condition. There’s a small crease on the left edge parrallel to the edge, Once mounted with a passepartout the crease won’t be visible.
Rarity: There are several prints from this shoot with different poses but this particular darkroom treatment is unique in the archive.
Unique Offer: Every buyer of our vintage silver gelatin prints receives a contemporary copy of the same print entirely for free with a view to making ownership more flexible. To my knowledge we are the only estate offering this service. These prints which we normally sell for $1,350 occasionally come onto the secondary market for up to double or more that price. They are meticulously retouched and printed in-house on museum grade Hahnemühle Photo Rag Baryta paper. The scale is the same as our estate standard size inkjet prints which are 24 inches (61.0cm) on the long axis.
Provenance: All prints sold by the estate including vintage and posthumous works are accompanied by detailed certificates of provenance which we call PIN (Print Identification Number) Certificates. The prints and the certificates are connected by a unique five figure hand written number on the reverse which is photographed and reproduced on the certificates. To the best of our knowledge this system is unmmatched in the industry.
Shipping and Tariffs: All prints in the archive ship for free including packing and insurance. Our USA clients are routinely subject to little or no tariffs.
Assistance with Collecting: The best way to get a super personalised service with generous support in every sense is to contact me directly ludwig@haskins.com I am happy to chat by phone or by video link and collectors are also welcome to visit the warehouse by appointment.
One of those images which is clearly identifiable - within the span of Sam’s career - as a product of the 70’s. The bold compositions from the 60’s pushed further with newer wide angle lenses and content which borrowed heavily from the visual freedom of contemporary American illustration to pursh the boundaries of both his commercial and personal photography.
“Sam Haskins is one of the most influential photographers in the fashion world,
his books are found on the shelves of most of the photographers I work with.”
Ivan Shaw of Condé Nast
Print Specs: This is a large and tall narrow print; 20.07” x 13.81” (51.00cm x 35.10cm). It’s a 70’s vintage silver gelatin c1971.
Condition: The print is in excellent condition. There’s a small crease on the left edge parrallel to the edge, Once mounted with a passepartout the crease won’t be visible.
Rarity: There are several prints from this shoot with different poses but this particular darkroom treatment is unique in the archive.
Unique Offer: Every buyer of our vintage silver gelatin prints receives a contemporary copy of the same print entirely for free with a view to making ownership more flexible. To my knowledge we are the only estate offering this service. These prints which we normally sell for $1,350 occasionally come onto the secondary market for up to double or more that price. They are meticulously retouched and printed in-house on museum grade Hahnemühle Photo Rag Baryta paper. The scale is the same as our estate standard size inkjet prints which are 24 inches (61.0cm) on the long axis.
Provenance: All prints sold by the estate including vintage and posthumous works are accompanied by detailed certificates of provenance which we call PIN (Print Identification Number) Certificates. The prints and the certificates are connected by a unique five figure hand written number on the reverse which is photographed and reproduced on the certificates. To the best of our knowledge this system is unmmatched in the industry.
Shipping and Tariffs: All prints in the archive ship for free including packing and insurance. Our USA clients are routinely subject to little or no tariffs.
Assistance with Collecting: The best way to get a super personalised service with generous support in every sense is to contact me directly ludwig@haskins.com I am happy to chat by phone or by video link and collectors are also welcome to visit the warehouse by appointment.
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