Cowboy Kate - Double Bum - Signed Pigment Print
This is the image that Serge Gainsbourg and Jane Birkin had next to their bed in their Paris home. See the ‘Celebrity Love’ section on this site.
From the main story of Cowboy Kate & Other Stories 1964. This is from the section of the narrative where Kate has had her vision of catching the real killer and breaks out of jail to see to the task on her own.
There are only two signed copies. This print is from 2008, a year prior to Sam’s passing and has been stored by the estate ever since, it is in excellent condition.
The media is 315gsm A2 Hähnemühle Photo Rag Mat paper.
Please contact the estate directly for assistance with all your collecting questions.
This is the image that Serge Gainsbourg and Jane Birkin had next to their bed in their Paris home. See the ‘Celebrity Love’ section on this site.
From the main story of Cowboy Kate & Other Stories 1964. This is from the section of the narrative where Kate has had her vision of catching the real killer and breaks out of jail to see to the task on her own.
There are only two signed copies. This print is from 2008, a year prior to Sam’s passing and has been stored by the estate ever since, it is in excellent condition.
The media is 315gsm A2 Hähnemühle Photo Rag Mat paper.
Please contact the estate directly for assistance with all your collecting questions.
This is the image that Serge Gainsbourg and Jane Birkin had next to their bed in their Paris home. See the ‘Celebrity Love’ section on this site.
From the main story of Cowboy Kate & Other Stories 1964. This is from the section of the narrative where Kate has had her vision of catching the real killer and breaks out of jail to see to the task on her own.
There are only two signed copies. This print is from 2008, a year prior to Sam’s passing and has been stored by the estate ever since, it is in excellent condition.
The media is 315gsm A2 Hähnemühle Photo Rag Mat paper.
Please contact the estate directly for assistance with all your collecting questions.
“Often copied but rarely equaled, Haskins-who used mostly non-professional models-has an exceptional ability to photograph women with a sensitivity that has won him accolades from men and women in equal measure.”
Philippe Garner (Specialist in photography and former Director at Christies, London)